{"id":1389,"date":"2022-10-16T15:37:46","date_gmt":"2022-10-16T19:37:46","guid":{"rendered":"https:\/\/bnatural.nyc\/?post_type=artists&#038;p=1389"},"modified":"2024-05-01T14:31:58","modified_gmt":"2024-05-01T18:31:58","slug":"nduduzo-makhathini","status":"publish","type":"artists","link":"https:\/\/bnatural.nyc\/artists\/nduduzo-makhathini\/","title":{"rendered":"Nduduzo Makhathini"},"content":{"rendered":"<p><strong>BOOKING WORLDWIDE IN ASSOCIATION WITH MUSICWORKS INTERNATIONAL<\/strong><\/p>\n<p><strong>Nduduzo Makhathini<\/strong>\u00a0grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. The area is significant historically as the site of the Zulu king Dingane kingdom between 1828 and 1840. It is important to note that the Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. This deeply embedded symbiosis is key to understanding Makhathini\u2019s vision.<\/p>\n<p>The church also played a role in Makhathini\u2019s musical understanding, as he hopped from church to church in his younger days in search of only the music. The legends of South African jazz are deep influences as well, Bheki Mseleku, Moses Molelekwa, and Abdullah Ibrahim. \u201cThe earlier musicians put a lot of emotions in the music they played,\u201d he says. \u201cI think it may also be linked to the political climate of those days. I also feel there is a uniqueness about South African jazz that created an interest all around the world and we are slowly losing that too in our music today. I personally feel that our generation has to be very conscious about retaining these nuances in the music we play today.\u201d<\/p>\n<p>Through his mentor Mseleku, Makhathini was also introduced to the music of John Coltrane\u2019s classic quartet with McCoy Tyner. \u201cI came to understand my voice as a pianist through John Coltrane\u2019s A Love Supreme,\u201d he says. \u201cAs someone who started playing jazz very late, I had always been looking for a kind of playing that could mirror or evoke the way my people danced, sung and spoke. Tyner provided that and still does in meaningful ways.\u201d Makhathini also cites American jazz pianists including Andrew Hill, Randy Weston and Don Pullen as significant influences.<\/p>\n<p>Active as an educator and researcher, Makhathini is the head of the music department at Fort Hare University in the Eastern Cape. He has performed at renowned festivals including the Cape\u00a0 own International Jazz Festival and the Essence Festival (in both New Orleans and South Africa), and in 2019 made his debut appearances the Blue Note Jazz Club in New York City, as well as Jazz at Lincoln Center where he was a featured guest with Wynton Marsalis and the Jazz at Lincoln Center Orchestra on their 3-night musical celebration The South African Songbook in Rose Theater. He is a member of Shabaka Hutchings\u2019 band Shabaka and the Ancestors appearing on their 2016 album Wisdom of Elders, and has also collaborated with artists including Logan Richardson, Nasheet Waits, Tarus Mateen, Stefon Harris, Billy Harper, Azar Lawrence, and Ernest Dawkins.<\/p>\n<p>In addition to producing albums for his peers (such as Thandiswa Mazwai\u2019s Belede and Tumi Mogorosi\u2019s Project Elo), Makhathini has released eight albums of his own since 2014 when he founded the label Gundu Entertainment in partnership with his wife and vocalist Omagugu Makhathini. Those albums earned him multiple awards and include Sketches of Tomorrow (2014). Mother Tongue (2014). Listening to the Ground (2015), Matunda Ya Kwanza (2015); Icilongo: The African Peace Suite (2016) Inner Dimensions (2016), and Reflections (2016). His 2017 album Ikhambi was the first to be released on Universal Music South Africa and won Best Jazz Album at the South African Music Awards (SAMA) in 2018. His Blue Note debut Modes of Communication: Letters from the Underworlds was released in 2020 to wide critical acclaim earning many end of the year \u201cBest Of\u201d lists.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOOKING WORLDWIDE IN ASSOCIATION WITH MUSICWORKS INTERNATIONAL Nduduzo Makhathini\u00a0grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. The area is significant historically as the site of the Zulu king Dingane kingdom between 1828 and 1840. It is important to [&hellip;]<\/p>\n","protected":false},"featured_media":1935,"template":"","acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nduduzo Makhathini - B Natural, Inc.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bnatural.nyc\/artists\/nduduzo-makhathini\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nduduzo Makhathini - B Natural, Inc.\" \/>\n<meta property=\"og:description\" content=\"BOOKING WORLDWIDE IN ASSOCIATION WITH MUSICWORKS INTERNATIONAL Nduduzo Makhathini\u00a0grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. 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